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Chris Smith - Artist
San Diego Visual Artist
assemblage - (pronounced as-sem-blidge) - A type of modern sculpture consisting of combining multiple objects or forms, often 'found' objects. (A found object is one that the artist comes upon and uses, as is or modified, in an artwork.) The most well known assemblages are those made by Robert Rauschenberg in the 1950's and '60's; for example, one assemblage consisted of a stuffed goat with an automobile tire encircling its stomach, mounted on a painted base. The objects are combined for their visual (sculptural) properties, as well as for their expressive properties.atmospheric - A quality of two-dimensional images which has to do more with space than with volume; an 'airiness,.' seen more in contemporary than traditional images. Also refers to atmospheric perspective, which is a less technical type of perspective, using faded and lighter colors to denote far distance in landscapes.
atmospheric perspective - Atmospheric, or aerial, perspective, is a less technical type of perspective, which consists of a gradual decrease in intensity of local color, and less contrast of light and dark, as space recedes into the far distance in a landscape painting or drawing. Often, this far distance will also be represented by a light, cool, bluish-gray. (See also perspective.)automatic (writing) - Automatic writing was a technique first used by the Dada and Surrealist artists in the early 20th century, to tap into their subconscious to write poetry (Freud's ideas on the subconscious had been introduced in the early part of the 20th century). They would try to connect with their subconscious to access a 'stream of consciousness,' or more 'free' type of poetry. Visual artists in these movements also tried to draw or paint "automatically," by allowing their subconscious to play a large part in the creative process. The Abstract Expressionists of the 1940's and '50's also used this method, for example, Jackson Pollock's "drip" paintings.
biomorphic - An attribute related to organic, since it describes images derived from biological or natural forms; it was a term frequently used in early- to mid-20th century art. The art of Miro, Arp and Calder contains examples of these simplified organic forms.
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